Last Updated on 2024-11-24 by a-indie
Hello everyone, I’m Aria Somnambula!
I’m excited to announce that I’ll be starting a music column called “Rangetown Notes” in collaboration with BELONG Media/A-indie.
I’ll be writing this column together with my research partner, Punipon, a virtual life form (I’m a bit nervous as this is my first time writing a music column…).
For those who want to know how we came to join BELONG Media/A-indie, please check out this article.
In this column, I’ll mainly focus on introducing unknown artists and works in the indie music scene, which I love.
Also, in line with BELONG Media’s concept of “musical roots,” I’ll explore how the featured artists have influenced younger artists.
At the end of each column, I’ll be accepting requests from readers for artists they’d like to see covered in future columns, so please stay tuned until the end!
Text: Aria Somnambula, Punipon Tool: Claude Interview: mozu (Hiru, Haru, Kiho) Editing & Proofreading: Tomohiro Yabe (BELONG Editor-in-Chief)
Range Town Note Jingle
Well, setting aside Punipon’s unique musical taste…
What is Indie Music?
It’s Aria again. You might have heard of indie music but aren’t quite sure what it is… I’m sure many of you feel this way. But don’t worry!
In this column, I’ll introduce you to the world of indie music, which I love, in an easy-to-understand and fun way.
First off, indie music refers to the music scene that emphasizes artists’ creativity and free expression without depending on major record labels.
What makes indie music so appealing? Why are people fascinated by it? What kind of music is out there?
I’ll answer these questions while sharing my personal experiences and observations.
Sometimes, I’ll include insights about musical roots (which is also BELONG’s theme) and incorporate the eccentric opinions of my research partner Punipon to deliver content that’s both fun and surprising.
Now, in the first edition of “Range Town Note,” I’ll introduce you to mozu, an emerging band from Tokyo’s indie scene that we’ve previously featured in BELONG’s new song playlist.
While there isn’t much information available about mozu at the moment, we’ve conducted a direct questionnaire interview with them through the BELONG editorial department, so this article is packed with exclusive information you can’t find anywhere else 🍚
And I have a special announcement for everyone! Those who read this column will have exclusive access to a preview of mozu’s second single, scheduled for release in February 2025. Don’t miss this opportunity!
Now, let’s dive into the main content!
Who is mozu?
About mozu’s Musical Style and Expression
We focus on incorporating landscapes and sensations we’ve actually experienced into our songs while maintaining their authentic expressions. We carefully select each note while repeatedly reflecting on these scenes, so every time we complete a song, it feels like we’re “saving with a filename.” For us, composition is like a precious moment and a form of psychotherapy. We’ve tried expressing ourselves through writing and drawing before, but music had the highest compatibility with what we wanted to express, which is why we formed a band as a trio. We create each song with a clear theme, and since the content is specific and personal, we honestly don’t expect it to appeal to everyone. However, we’re happy when listeners tell us they envisioned things like “a nighttime factory complex” or “remembered dozing off in the back seat of their mother’s car” – it makes us feel like we’ve successfully communicated our message when people can picture specific scenes that are part of our themes.
Heavenly Voice: (in a voice only Punipon can hear) Now, now, Punipon, you mustn’t reveal the rejected settings for this project!
mozu’s Roots (Artists Who Influenced Them)
JAPAN
I believe they are a band that creates unique sounds through their versatile basslines. When I first heard them, I was shocked by their freedom of expression. When I listened to mozu’s demo upon joining, I immediately decided to buy a fretless bass, thinking “A fretless bass would be perfect for mozu’s songs!” Since then, I’ve become deeply immersed in Mick Karn’s bass playing. I especially love their fifth album “Tin Drum,” where Mick Karn’s free-spirited phrases really stand out. (Bass/Hiru)Yoshida Ichiro Untouchable World
This is the solo project of Ichiro Yoshida, who was active as the bassist for ZAZENBOYS. I’ve been listening constantly since the release of his first album “Apanda”. While it has elements of hip-hop and ambient music, it’s an album with a strong acoustic feel. The songs evoke a sense of animal instinct, and throughout the album, there’s a feeling of “anger-filled morning.” I have fond memories of when we formed the band and discussed music, discovering that all members were listeners of “Apanda”. (Drums & Vocals/Kiho)Erik Satie
Among the impressionist composers, I strongly felt his laid-back nature and sardonic quality. When reading about Satie’s life episodes and his words, or listening to his music, I think that, whether intentional or not, he lived with his focus on the subconscious rather than the conscious mind to free himself from constraints in a broad sense. On days when I’m tired and spaced out, I sometimes feel like I can touch Satie’s music and his feelings. Looking at seemingly ordinary scenery with its warmth and cold discomfort… it creates a mysterious feeling that’s both nostalgic and unfamiliar. (Guitar/Haru)
mozu’s Future Aspirations and Goals
I want to create music that stirs emotions forcefully, regardless of the listener’s circumstances or reasons. I hope we can bring about change in ourselves and certain people by putting melodies to unnamed emotions that have been simplified under broad labels like ‘sad’ or ‘painful.’ To everyone reading this column, please listen to our upcoming EP releasing in February!
Artist: mozu
Song: A Tale (short version)
Preview period: Monday, November 25 – Sunday, December 8
*The single cover for the February 2025 release will be different
https://on.soundcloud.com/aoVWk4YAfUzor4AYA
Social Media:
https://x.com/bandmozu
https://www.instagram.com/bandmozu/
Reader Participation: Exploring the World of Music Together with Our Listeners
1. Share Your Thoughts on the Column♪: What did you think about this column? Let us know through social media or in the comments section!
2. Request for Next Time: Which artists would you like to learn about next? We’re looking forward to your requests.
3. Favorite Electronic Sounds Wanted: Share your favorite electronic sounds with Punippon. Please send YouTube video URLs. We’re waiting for your submissions♪
How to Participate
About Next Feature Requests
We accept artist submissions for future columns, whether it’s yourself or someone else! Please submit through our “Artist Submission Form (Google Form)” using the URL below. You can submit anonymously, so feel free to include your own music – we’d love to have you participate♪
Artist Submission Form (Google Form)
Sharing Column Feedback and Electronic Sound Submissions
We’re collecting feedback about the column and electronic sounds for Punippon through social media and the comments section of this article. When sharing, please use the hashtag #レンジタウン on X (formerly Twitter)! Your submissions may be featured in BELONG’s newsletter, social media, or this column, so please join in♪
Conclusion
What did you think of mozu’s music? If you enjoyed it, please share your thoughts on Twitter using the hashtag #レンジタウン!
We’ll continue exploring and discovering the charm of various types of music.
Why not try listening more carefully to the music you usually hear casually? You might make some new discoveries.
Finally, I’d like to share a phrase in Esperanto (a language created with the aim of international use).
“Muziko estas la lingvo de sonĝoj.” This means “Music is the language of dreams.” Music speaks directly to our hearts, transcending words.
I hope you all find your favorite music and experience wonderful “musical dreams”!
So, Punippon, what did you think of today’s column? Oh, don’t try to get into the microwave again!
Writer: Tomohiro Yabe (yabori)
Editor-in-Chief of BELONG Media/A-indie. Started writing a music blog “Masterpieces Beyond Time” (時代を超えたマスターピース) in 2010, which became the predecessor to BELONG.
After writing for “only in dreams” (only in dreams), hosted by ASIAN KUNG-FU GENERATION’s vocalist Masafumi Goto, he studied music business at a music college.
Has been writing about Japanese and international music for over 10 years.
Previously worked at a music CD rental shop with over 100,000 album titles, specializing in garage rock, psychedelic rock, and Japanese indie rock.
Using these experiences, he has published 26 issues of “BELONG Magazine” (BELONG Magazine), a music magazine focusing on “roots rock.”
Currently writes articles based on SEO strategies learned at a web development company. His hobby is watching “Kaiken! Nandemo Kantei-dan.”
You can find his previous articles here
Twitter: @boriboriyabori